E@ECIPE
Start your weekend right and have a look at our new podcast episodes, webinars and more! ✉️ https://t.co/I4O8mlTIfz https://t.co/OGnB3mMG8CRT IIEA @iiea: 7 years on from the #Brexit vote we're continuing to analyse the impact of the UK's withdrawal from the #EU. Join… https://t.co/cYlxTquavgThe EU is taking charge in regulating data and the digital economy, launching new regulations like the #DMA, #DSA,… https://t.co/jfOuY6kaPNLet's talk about #AI regulations in the #EU! It is important to understand and enhance the benefits, but also min… https://t.co/OU6PEWlg6j🎧 New global economy podcast episode! We talk about the US trade policy and America's role in the world economic o… https://t.co/DHHvBdKZ4M
  • FOLLOW ECIPE
x
Browse

Guest Author


This category includes visiting Research Associates and Fellows that contribute to ECIPE blog by representing their own views.

  • ECIPE Policy Briefs

    EU–ASEAN: Shared Objectives, Severed Trust

    By: Hosuk Lee-Makiyama Guest Author 

    Co-authored with Joses Wong, Secretary-General of ASEANCHAM EU After 45 years of diplomatic dialogue, EU-ASEAN relations continue to dawdle, lacking real ambition or political will from either side to invest more in the relationship. Even after a recent upgrade in the relationship to a strategic partnership (and continued pressure from the business communities on both sides to do more),the potentialof the EU-ASEAN relationship is still not well understood by...

  • Korea Project

    The Impact of Subsidies on Film Quality: Empirical Evidence from France, Korea, the United Kingdom, and United States

    By: Jimmyn Parc Patrick Messerlin Guest Author 

    There is a widespread belief that the higher the level of subsidies, the better the performance of film industries (both in quantity and quality). This article focuses on film quality—evaluated by audiences and critics—and scrutinizes this assumption through four selected countries—France, Korea, UK, and US. The main findings of this article are summarized through two points. First, despite the Korean film industry receiving the lowest level of public...

  • Korea Project

    The impact of protectionism on cultural industries: the effect of China’s film policies on imported films

    By: Patrick Messerlin Jimmyn Parc Guest Author 

    Hollywood studios have actively sought to export more films to China in order to benefit from its huge film market. Facing this expansion, the Chinese government has introduced quotas in order to restrict the market access of foreign films while protecting its domestic film industry and preserving Chinese values. Nonetheless, this protectionism has brought about an unexpected effect; a limited number of Hollywood films in China have been able to attract large...

  • Korea Project

    What does Emily in Paris say about the “Netflix quota” and the “Netflix tax”?

    By: Jimmyn Parc Guest Author 

    When the Netflix series Emily in Paris was released in October 2020, it was widely watched among audiences around the world. In its first week, it was listed as one of the top ten most watched shows, and almost 58 million people globally streamed this series in the first month after its release (Netflix, 2021). The story features a girl who moves from Chicago to Paris for work, and provides an American’s point of view on French lifestyle and includes many...

View all

Sorry, no items found.

View all

Sorry, no items found.

Sorry, no items found.