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🤓And if you couldn't get your hands on the hard copy of @CidobBarcelona's publication, you can read Oscar's work on… https://t.co/DY9ZijEMV3📺Missed our webinar on the lessons on #Europe's film industry in a digital world? No Problem! Re-watch it here⤵️ https://t.co/camcEBHG5M🎙️New podcast epsiode @Phil_Lamprecht & @RaquelJorgeR @rielcano talk about how the #D9+ initiative can expand the… https://t.co/SDrYgKVUq2In our paper on #StrategicAutonomy @MatBauerEcon looks at 📌potential economic costs 📌asymmetries in impacts on sma… https://t.co/ep5z8fw1Jx"If in 2023 the #UK accedes to the #CPTPP, resolves the #NorthernIrelandProtocol row, and completes an #IndiaFTA co… https://t.co/ngbOqajk5j
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Guest Author


This category includes visiting Research Associates and Fellows that contribute to ECIPE blog by representing their own views.

  • Korea Project

    The Impact of Subsidies on Film Quality: Empirical Evidence from France, Korea, the United Kingdom, and United States

    By: Jimmyn Parc Patrick Messerlin Guest Author 

    There is a widespread belief that the higher the level of subsidies, the better the performance of film industries (both in quantity and quality). This article focuses on film quality—evaluated by audiences and critics—and scrutinizes this assumption through four selected countries—France, Korea, UK, and US. The main findings of this article are summarized through two points. First, despite the Korean film industry receiving the lowest level of public...

  • Korea Project

    The impact of protectionism on cultural industries: the effect of China’s film policies on imported films

    By: Patrick Messerlin Jimmyn Parc Guest Author 

    Hollywood studios have actively sought to export more films to China in order to benefit from its huge film market. Facing this expansion, the Chinese government has introduced quotas in order to restrict the market access of foreign films while protecting its domestic film industry and preserving Chinese values. Nonetheless, this protectionism has brought about an unexpected effect; a limited number of Hollywood films in China have been able to attract large...

  • Korea Project

    What does Emily in Paris say about the “Netflix quota” and the “Netflix tax”?

    By: Jimmyn Parc Guest Author 

    When the Netflix series Emily in Paris was released in October 2020, it was widely watched among audiences around the world. In its first week, it was listed as one of the top ten most watched shows, and almost 58 million people globally streamed this series in the first month after its release (Netflix, 2021). The story features a girl who moves from Chicago to Paris for work, and provides an American’s point of view on French lifestyle and includes many...

  • ECIPE Policy Briefs

    Combating Unsafe Products: How to Improve Europe’s Safety Gate Alerts

    By: Guest Author 

    By Joana Purves, Researcher at E+Europe and William Echikson, Director E+Europe The European Union has built a one-stop-shop for its member state regulators to post product safety notifications - Safety Gate (European Commission 2021d). Constructed on top of the Rapid Alert System for Dangerous Non-Food Products, or RAPEX, the Safety Gate web portal is designed to make public the “quick exchange of information” between 31 European countries and the...

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